CD - White Christmas (B)

Artist: Martina McBride
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I'm usually a very savvy buyer when it comes to stealth reissues but I fell for this one hook, line, and wallet while doing my gift shopping at a big box retailer. The complete repackaging, the handful of new tracks that didn't ring any bells (and probably those mesmerizing blue eyes) convinced me to brush aside the little voice that said, "But wasn't her first Christmas album - that we already own - called White Christmas?"

Yes it was. And this is it. Somewhat.

The 1998 tracks have the same liabilities/benefits as they did then. There are no original arrangements and they are virtually straightforward covers of classic versions. But this is good when it comes to singing along with them - no curves are thrown at you. And MM's voice is, of course, insanely beautiful.

The four new tracks produced by Martina herself make some gutsy calls and I like that about them. Her Danny Elfman-esque take on 'Jingle Bells' is funny and just a little creepy and I loved it in spite of myself. She's definitely overheard her kids watching Tim Burton's Charlie and the Chocolate Factory one too many times!

Her time-traveling duet with Dean Martin on 'Baby, It's Cold Outside' is captivating. She has an extremely broad stylistic range and is a terrific mimic. If no one told you the lady's voice was a 21st century superstar you would think it was a Rat Pack-era songstress holding her own with Dino. Brilliant!

It almost makes up for the covert ops. One could blame all that on Martina's label but she is extremely hands-on in the production, design, and marketing of her albums. I've found out she has reissued this album with two extra songs tacked on before but it was with the original artwork. Since she's added 6 songs altogether over the years, why hasn't she just created a new Christmas CD? It would save confusion and animosity (which this reissue is certainly causing, judging by the online comments) and make more money. I understand that RCA wanted a vehicle to put the Dean Martin duet into (and it's working, this is currently just behind Josh Groban's Christmas album on the charts) but I still think this was a misstep.

Final score:
Music - A minus
Marketing - C plus

CD/DVD - Greatest Hits Special Edition (A-)

Artist: Amy Grant
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This compilation was not exactly necessary. Grant's last greatest hits album came out only three years ago. It's primary purpose is as a sampler of the brighter sound of her recently recently reissued, newly remastered back catalog. There are two different versions of this set running around: A straightforward CD version and a CD/DVD Special Edition. This review is of the latter.

I am an Amy completist, so I already own every song and music video on this special edition set. It's difficult for me to judge the strength of the track selection because even though I love them all, there are dozens of favorite songs that aren't on it. That's just going to happen when trying to boil 30 years and 20-odd albums down into 19 songs.

I will say to the new or casual fan who is looking for a greatest hits CD to start their AG collection that this is a pretty good place to start. Her first compilation, The Collection was a good, relatively deep summation of Amy's purely Contemporary Christian period and is a great choice for those who want to focus solely on that era. Greatest Hits 1986-2004 covers her crossover and pop hit periods fairly well.

This CD is an extremely broad sampling of both eras but skews to the lite pop - with better remastered sound quality for current systems. The mix of cheery 70s-style acoustics and string sections with 80s synthesizers and 90s adult pop can be a bit jarring but it's all part of Amy's growth over the decades. My only real gripe is the underrepresentation of her introspective and gut-wrenchingly honest work from Lead Me On and Behind the Eyes, which may be regarded by posterity as her two best albums.

The greatest benefit (for new Amy fans and old) of this 2-disc Special Edition - in my humble opinion - is the nearly half hour of interview footage she provides (Preview). Just sitting on the couch with a mug of coffee, reminiscing and vividly describing the hows and whys of the peaks and valleys of her recording career and her life, Amy demonstrates exactly why she has touched audiences and made devoted fans for three decades. It's nearly impossible not to like such an earthy, gentle person who is openly alloyed with the wonderment and messiness of real life. She's like an ideal next door neighbor that you'd love to sit around and discuss life, love, and faith with. And in some ways we already have because it's all there in her songs.

CD - Time Again ... Live (B+)

Artist: Amy Grant
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And the kids wonder why she's still a dominant force in Christian music, even though she hasn't had a number one pop hit in years. Well, Grant has a back catalog of 200-plus quality, honest, lived-in songs and a charming and lovably unadorned "Ideal Friend" public persona that no other CCM artist can touch. And she's always been a formidable vocal stylist. That's why.

As others have noted, her singing and songwriting abilities were frequently overlooked because of her unmatched popularity and her looks. But time has proven her impressively capable in both arenas. In fact, some of her lyrics are revealed as prescient and are even more powerful as she (actually, we) go through midlife. Her voice? Possibly the easiest to listen to for extended periods that I've ever heard. Historically gentle and flawed but packed with emotional precision. Sandi Patti may have been the premiere Christian vocalist in the 1980s but Amy Grant was the impassioned voice of everyone's hopes and doubts.

Appearing in the same city (but not the same venue!) where she gave her first professional concert 29 years ago, Grant is light years removed from that gawky, whispery teenaged girl hiding behind a guitar on a Fort Worth stage in 1978. Still sweet and self-effacing, she's an accomplished musician and a confident entertainer joyfully leading a band instead of being instructed by one. [Side note: Yes. We're that old.]

A word of caution: If you're fixated on being able to sing along note-for-note with these classic songs, you may be in for a disappointment with this 17-song live set. Not only have the arrangements and instrumentation of her older synth-pop tunes been altered for a casual stripped-down feel but Amy is more experimental in her phrasing these days. If you appreciate the Frank Sinatra/Willie Nelson school of reinterpretation with each performance, you'll love this set. If you're interested in a perfectly recreated nostalgia session, not so much.

The constraints of the single-CD format cause some of Amy's trademark just-folks banter and pindrop-quiet stories of the superior DVD presentation to be lost. The cheerful stage presence that masks some of her vocal missteps isn't there to help her, either. A few very good songs are left out. I'd recommend getting the DVD, too, if you can afford both. But this is a good audio version for the car and iPod.

Final score: B plus

CD - Postcards (A-)

Artist: Cindy Morgan
Producer: Wayne Kirkpatrick
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Perhaps the most underrated singer/songwriter in CCM's postmodern era, Cindy Morgan is still as strong an artist as ever. Although she's a fifteen-year, nine-album veteran in an industry with an average life-expectancy of fifteen months and one album, Morgan is not merely a survivor. She has matured and improved, experimented and learned, and never stopped taking risks.

Her clear, strong voice and cover girl looks had the label stuffing her into the Dance/Pop Diva mold on her debut CD - but her true colors shone through even then. The haunting, worshipful, self-penned piano ballad at its close ("How Could I Ask for More") marked her as a sonic and lyrical force to be reckoned with. That talented young woman has become a truly unique voice in the world of Christian music and Postcards shows how.

After a five year break between albums (Morgan became a mom again after her last), Postcards is a breath of fresh air. In addition to her piano-driven center, Morgan here tries her hand at roots music and semi-industrial pop to largely successful effect.

And she continues to grow lyrically. On 'Enough' she really takes on a confrontational edge worthy of classic troublemaker Steve Taylor. And then there's the jaw-dropping honesty of "Mother," which is a cry to Morgan's own mother over the recent breakdown of their relationship. It is a heartstopper. The urgency of approaching middle age really strips off the nonsense in one's life - and it sure show on this album.

This is certainly among her best albums and improves with successive listens.

Final score: A minus